Oct 05, 2024  
2019-20 Syllabus 
    
2019-20 Syllabus [ARCHIVED CATALOG]

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CIN 3640 - Design, Motion, Effects (4)


Oakland University, College of Arts and Sciences, English Department
Syllabus

Course Information:
CRN: 45499

Type: In-Person Class Meeting

05:00 PM - 08:20 PM

Main Campus Campus | Varner Hall | Room 228

A range of digital motion graphics and visual effects projects, combined with the study of the principles of design that make them most effective. Prerequisite: CIN 2600 with a grade of C or better.


Professor Information:
Instructor: Andrea Eis

Office Location: 528 O’Dowd Hall

My student hours:  TBD

You can reach me at:  eis@oakland.edu or 248-370-2987


Learning Outcomes:
Students will be able to: 

  • create dgital motion graphics and visual  effects for a range of cinematic projects
  • conceptually and aesthetically apply the elements and principles of design and animation to projects
  • problem-solve individualized technical approaches to motion and effects projects



Textbooks and Materials:
Microsoft Office 365 Free for OU Students. Enables access to a suite of Office 365 cloud products as well as download and install of the full Office Productivity Suite, including Word, Excel, PowerPoint, OneNote, and more. The software can be made available on up to 5 personal devices.


Assignments and Grading:
Background  and contemporary  conceptual,  aesthetic  and  design  approaches.  Students  will  create typographic  explorations, creative visual texts and animated illustrations as standalone micro films and as film title sequences, and progress to increased complexity in motion graphics and special effects sequences.

This course is divided into lectures1 technical workshops, studio time and critiques. During some class sessions you will be working on course projects. Although this in-class studio time is an integral part of the class structure, not all work for the class can be completed during class sessions. A commitment to putting time and energy into all work required for the class, including full involvement in class discussions and critiques, is critical to successful completion of the class.

Important note: This is a class in which you will be responsible for developing some of your own knowledge base. I will be presenting both design and software instruction. However, as the class progresses, there will be individualized projects that will require different technical  approaches. You will be expected to problem solve and sort out workarounds. This approach will help you develop the skills you need to navigate applications that are changing at an ever-increasing pace, and is more realistic in terms of how you will work once you are out of school.

Readings: There is no assigned textbook for the class. Required readings will be available on Moodle.

Equipment and Lab: As with other filmmaking classes, students enrolled in this class have access to Cinema Studies film equipment, though there will be a restricted availability. The student under whose name equipment is signed out is responsible for timely return of the equipment, and its condition upon return. Fines are levied for equipment that is turned in late or damaged.

Students enrolled in this class are allowed access to 228 VAR and 202 HH with Grizz ID cards, except for times when other classes are scheduled. We will use Adobe CC software.

Class Requirements:Five projects of increasing complexity and grade weight.  Each will have varied requirements (some including research and design journals), which will be detailed in assignment sheets.

Regular attendance and participation in class. (See Attendance and Participation Policy, below, for details.)

Late Work: Work received after the due date in class will be penalized 10 points. All late work must be in before the start of the next scheduled class meeting, or it will be eligible for no better than 70% of the points. No work will be accepted after the final critique date (December 10).


Attendance Policy:
Consistent, on-time attendance is required for the success of our discussions, your understanding of important concepts, and your satisfactory completion of all assignments. For these reasons, regular attendance is required. You will be allowed 2 absences (excused and unexcused). Each subsequent absence in excess of 2 will lower your total  participation grade  by 15 points. Full and engaged  participation in studio sessions  and critique is significant, along with  consistent  attendance,  being prepared for  in-class studio time, responsible  behavior during group projects, and on-time submission of assignments.


Classroom and University Policies   



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